Short | Nonfiction | 19’ | 2024 | U.S.A | Digital
A spatial exploration of Miami, and the endless pursuit of the American Dream in an era of immigrant mass mobilization, the absurd dominance of wealth and border securocracy.
Much like the people it is about, No se ve desde acá is suspended in that stasis between arriving and finding belonging, moving associatively through observational vignettes in contemporary Miami. This, juxtaposed with a disruptive collection of video and sound archives that range as far back as the 1930’s, revealing an obsession with American individualism and collective uncertainty.
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*2023 Carole Fielding Grant Awardee
Selections
Bilbao International Festival of Documentary and Short Film, ZINEBI, 2024
Bogotá Short Film Festival, Bogoshorts, 2024 | *Santa Lucia Award: National Competition
New Directors/New Films (MoMA & Film at Lincoln Center), 2025
True/False Film Festival, 2025
Third Horizon Film Festival, 2025
London Short Film Festival, 2025
FIPADOC, 2025
Tampere Film Festival, 2025
Palm Springs ShortFest, 2025
Rooftop Films, Summer Series, 2025
Internationale Kurzfilmwoche Regensburg, 2025
Athens International Film and Video Festival (AIFVF), 2025
Winnipeg Underground Film Festival, 2025
Festival Angaelica, Los Angeles, 2025
Museum of Fine Arts, Boston, 2024
Immigration Film Forum, Washington D.C., 2024
Chicago Underground Film Festival, 2024
Festival of Moving Image London, FOMI, 2024
Museo Nacional de Colombia, Cinefest, 2024
Videotitlán, Festival de Video Experimental, 2024
Cinefestival San Antonio, 2024
NewFilmmakers Los Angeles, 2024
Festival Universitario de Cine y Audiovisuales, Equinoxio, 2024
Cinefest Latino Boston, 2024
Lost River Film Festival, 2024
Muestra de Cine Documental de Cali, Borondoc, 2024
Cine+Mas SF, Roxie Theater, 2024
Bridge Video Chicago, 2024
IDFA, Docs for Sale, 2024
Muestra Audiovisual Javeriana, Ventanas, 2024
Harvard University Art Show, 2024
Bilbao International Festival of Documentary and Short Film, ZINEBI, 2024
Bogotá Short Film Festival, Bogoshorts, 2024 | *Santa Lucia Award: National Competition
New Directors/New Films (MoMA & Film at Lincoln Center), 2025
True/False Film Festival, 2025
Third Horizon Film Festival, 2025
London Short Film Festival, 2025
FIPADOC, 2025
Tampere Film Festival, 2025
Palm Springs ShortFest, 2025
Rooftop Films, Summer Series, 2025
Internationale Kurzfilmwoche Regensburg, 2025
Athens International Film and Video Festival (AIFVF), 2025
Winnipeg Underground Film Festival, 2025
Festival Angaelica, Los Angeles, 2025
Museum of Fine Arts, Boston, 2024
Immigration Film Forum, Washington D.C., 2024
Chicago Underground Film Festival, 2024
Festival of Moving Image London, FOMI, 2024
Museo Nacional de Colombia, Cinefest, 2024
Videotitlán, Festival de Video Experimental, 2024
Cinefestival San Antonio, 2024
NewFilmmakers Los Angeles, 2024
Festival Universitario de Cine y Audiovisuales, Equinoxio, 2024
Cinefest Latino Boston, 2024
Lost River Film Festival, 2024
Muestra de Cine Documental de Cali, Borondoc, 2024
Cine+Mas SF, Roxie Theater, 2024
Bridge Video Chicago, 2024
IDFA, Docs for Sale, 2024
Muestra Audiovisual Javeriana, Ventanas, 2024
Harvard University Art Show, 2024
A film by
Enrique Pedráza-Botero
Producers
Faye Tsakas
Enrique Pedráza-Botero
Consulting Producers
Melissa Fajardo
Sara Archambault
Production Assistant & Location Sound
Sruti Visweswaran
Technical Support
Christopher Nguyen
Joel Rakowski
Sound Mix
Dan Olmsted
Color Grading
Robert Arnold
Music Supervisor
Enrique Pedráza-Botero
Faculty Advisors
Natalia Almada
Rodrigo Reyes
Srđan Keča
Made with the support of:
The Maiken Baird and Timothy Luke Fund
UFVA Carole Fielding Grant
Pacific Pioneer Fund
Produced in the Documentary Film M.F.A. Program
Department of Art & Art History
Stanford University
Department of Art & Art History
Stanford University
